Morten Høi Jensen is a writer and critic from Copenhagen, Denmark. A graduate of Eugene Lang College and The New School for Social Research, he is the author of A Difficult Death: The Life and Work of Jens Peter Jacobsen (Yale University Press, 2017) and has contributed to the New York Review of Books, the Wall Street Journal, The American Interest, and the Los Angeles Review of Books. He lives in Brooklyn.”
He is currently working on, The Master of Contradictions, a book about Thomas Mann’s novel The Magic Mountain.
Morten Høi Jensen will be our featured speaker for the 2021 Lit Studies Alumni Reading on April 20th, 2021.
When I started at The New School, my idea of a literature degree was vague. In fact, I thought I would leave Lang, because my first notions of a literary program depended on a “canon”—that shaky through-line in history, which seemed so crucial in literature. One semester in Lang’s department brought me away from those canonical aspirations, towards a more fragmented approach to narratives. I studied novels and plays and poems out of order. Classes were distinct from one another, but never dissonant. Each semester’s courses pronounced new historical and critical connections, and I acquired a lineage—one which calls that “canon” into question for all of its exclusions. The literature program at Lang encourages incisive, political readings of narratives throughout history, at a moment when those criticisms are so vital. In my final year, I wrote my thesis (entitled, “’Always Some Kind of Worm in the Image:’ Visuality & the American Fifties”) on a novel from 1966 by Richard Fariña. I was interested in the peripheral images of the novel; the sights that the narrator sees, but to which it does not attune itself. This project culminated years of open, but precise study.
My experience growing up in New York City with PTSD and not knowing that’s what I was living with resulted in a lot of internal chaos for me, which catapulted me through three different high schools. And yet, I attended Eugene Lang for all four years and finally found a strong sense of community at The New School. When I arrived at The New School I felt like I was around people who were my people. There were times that a girl would just start crying in a poetry class because a teacher made a comment gently critiquing it, and kids who had absences because they needed to deal with things… so things felt very real.
I knew from a very young age that I wanted to be a writer, but I was eager to explore—so in addition to all of the journalism classes I took at Lang, I also took poetry, fiction, mixed media, literature, and other more nuanced classes like dream interpretation and philosophy. And what is now my published memoir (After 9/11) is the direct result of what began as a year-long independent study I did with a Lang professor during my senior year.
One last bit of advice for freshman: do what you gotta do, but keep yourself safe. This really is your time and it just gets better as time goes on. Take every opportunity. Write about things you don’t think you’re interested in. Go to new neighborhoods and explore. Interview crazy people in Union Square. Ride the L train at 2 am. Ask for informational interviews with journalists or authors on LinkedIn. Ask to shadow a prominent politician for a project you’re working on. Just go for it.
Ann Snitow May 9, 1943-August 10, 2019 Ann Snitow, a founding faculty member of Lang College and the creator of the Gender Studies Program at the New School, passed away on August 10, 2019. She was a beloved member of the Literary Studies faculty. While indeed her books and essays are crucial texts in feminist studies and in the life of the mind, as Literary Studies colleagues our remembrances here are more personal, testaments not just to her work but to the power of her being.
No Upcoming Events found!
March 8, 2016
The Stony Brook Short Fiction Prize is seeking original fiction from undergraduate students and offers a prize of $1000 for a story that “stirs, shifts, or shakes” them in some way. There is no submission fee and the judges read stories blindly, without knowledge of the entrants’ identities or academic institutions. The deadline to submit is April 15, 2016.
October 10, 2019
Ann Snitow May 9, 1943-August 10, 2019 Ann Snitow, a founding faculty member of Lang College and the creator of the Gender Studies Program at the New School, passed away on August 10, 2019. She was a beloved member of the Literary Studies faculty. While indeed her books and essays are crucial texts in feminist studies and in the life of the mind, as Literary Studies colleagues our remembrances here are more personal, testaments not just to her work but to the power of her being.
March 8, 2016
The Stony Brook Short Fiction Prize is seeking original fiction from undergraduate students and offers a prize of $1000 for a story that “stirs, shifts, or shakes” them in some way. There is no submission fee and the judges read stories blindly, without knowledge of the entrants’ identities or academic institutions. The deadline to submit is April 15, 2016. […]
© 2015 Eugene Lang College of Liberal Arts. Website by POTG Design.
Morten Høi Jensen is a writer and critic from Copenhagen, Denmark. A graduate of Eugene Lang College and The New School for Social Research, he is the author of A Difficult Death: The Life and Work of Jens Peter Jacobsen (Yale University Press, 2017) and has contributed to the New York Review of Books, the Wall Street Journal, The American Interest, and the Los Angeles Review of Books. He lives in Brooklyn.”
He is currently working on, The Master of Contradictions, a book about Thomas Mann’s novel The Magic Mountain.
Morten Høi Jensen will be our featured speaker for the 2021 Lit Studies Alumni Reading on April 20th, 2021.
When I started at The New School, my idea of a literature degree was vague. In fact, I thought I would leave Lang, because my first notions of a literary program depended on a “canon”—that shaky through-line in history, which seemed so crucial in literature. One semester in Lang’s department brought me away from those canonical aspirations, towards a more fragmented approach to narratives. I studied novels and plays and poems out of order. Classes were distinct from one another, but never dissonant. Each semester’s courses pronounced new historical and critical connections, and I acquired a lineage—one which calls that “canon” into question for all of its exclusions. The literature program at Lang encourages incisive, political readings of narratives throughout history, at a moment when those criticisms are so vital. In my final year, I wrote my thesis (entitled, “’Always Some Kind of Worm in the Image:’ Visuality & the American Fifties”) on a novel from 1966 by Richard Fariña. I was interested in the peripheral images of the novel; the sights that the narrator sees, but to which it does not attune itself. This project culminated years of open, but precise study.
My experience growing up in New York City with PTSD and not knowing that’s what I was living with resulted in a lot of internal chaos for me, which catapulted me through three different high schools. And yet, I attended Eugene Lang for all four years and finally found a strong sense of community at The New School. When I arrived at The New School I felt like I was around people who were my people. There were times that a girl would just start crying in a poetry class because a teacher made a comment gently critiquing it, and kids who had absences because they needed to deal with things… so things felt very real.
I knew from a very young age that I wanted to be a writer, but I was eager to explore—so in addition to all of the journalism classes I took at Lang, I also took poetry, fiction, mixed media, literature, and other more nuanced classes like dream interpretation and philosophy. And what is now my published memoir (After 9/11) is the direct result of what began as a year-long independent study I did with a Lang professor during my senior year.
One last bit of advice for freshman: do what you gotta do, but keep yourself safe. This really is your time and it just gets better as time goes on. Take every opportunity. Write about things you don’t think you’re interested in. Go to new neighborhoods and explore. Interview crazy people in Union Square. Ride the L train at 2 am. Ask for informational interviews with journalists or authors on LinkedIn. Ask to shadow a prominent politician for a project you’re working on. Just go for it.