Congratulations to Dr. Julie Beth Napolin, recipient of the annual J.H. Stape Prize for best essay with “Music’s Unseen Body: Cowell, Conrad, Du Bois, and the Beginnings of... Read More
Lang’s very own Elizabeth Kendall, Associate Professor of Liberal Studies and Literary Studies, has been published on The New York Times! Her piece, titled... Read More
Eugene Lang’s very own Jennifer Firestone, Associate Professor and author, has released a book of poetry titled Story. “Story is a brilliant antidote to closure... Read More
In this first book-length study of Tolstoy’s meditation on death, life, love, and happiness, Inessa Medzhibovskaya focuses on unknown documents and stories that illuminate... Read More
Congratulations to Dr. Julie Beth Napolin, recipient of the annual J.H. Stape Prize for best essay with “Music’s Unseen Body: Cowell, Conrad, Du Bois, and the Beginnings of American Experimental Music,” published in Conradiana (vol. 48 nos. 2-3).
From the author:
This essay unseats the traditional origin story of American experimental music as “organized sound” that moves from Henry Cowell to his student John Cage and to minimalism. It traverses a diasporic vibration.
Published in 2020, the essay was part of the 2017 “Conradian Crosscurrents: Creativity and Critique Conference” at Fordham University. The special issue of Conradiana (vol. 48 nos. 2-3) also features essays by Adriana Cavarero, James Clifford, and J. Hillis Miller.
(Download the essay here.)