Dr. Julie Beth Napolin, winner of J.H. Stape Prize for best essay

 Congratulations to Dr. Julie Beth Napolin, recipient of the annual J.H. Stape Prize for best essay with “Music’s Unseen Body: Cowell, Conrad, Du Bois, and the Beginnings of American Experimental Music,” published in Conradiana (vol. 48 nos. 2-3).

From the author:

This essay unseats the traditional origin story of American experimental music as “organized sound” that moves from Henry Cowell to his student John Cage and to minimalism. It traverses a diasporic vibration.

Published in 2020, the essay was part of the 2017 “Conradian Crosscurrents: Creativity and Critique Conference” at Fordham University. The special issue of Conradiana (vol. 48 nos. 2-3) also features essays by Adriana Cavarero, James Clifford, and J. Hillis Miller.

(Download the essay here.)

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 Congratulations to Dr. Julie Beth Napolin, recipient of the annual J.H. Stape Prize for best essay with “Music’s Unseen Body: Cowell, Conrad, Du Bois, and the Beginnings of American Experimental Music,” published in Conradiana (vol. 48 nos. 2-3).

From the author:

This essay unseats the traditional origin story of American experimental music as “organized sound” that moves from Henry Cowell to his student John Cage and to minimalism. It traverses a diasporic vibration.

Published in 2020, the essay was part of the 2017 “Conradian Crosscurrents: Creativity and Critique Conference” at Fordham University. The special issue of Conradiana (vol. 48 nos. 2-3) also features essays by Adriana Cavarero, James Clifford, and J. Hillis Miller.

(Download the essay here.)