Congratulations to Dr. Julie Beth Napolin, recipient of the annual J.H. Stape Prize for best essay with “Music’s Unseen Body: Cowell, Conrad, Du Bois, and the Beginnings of American Experimental Music,” published in Conradiana (vol. 48 nos. 2-3).
From the author:
This essay unseats the traditional origin story of American experimental music as “organized sound” that moves from Henry Cowell to his student John Cage and to minimalism. It traverses a diasporic vibration.
Published in 2020, the essay was part of the 2017 “Conradian Crosscurrents: Creativity and Critique Conference” at Fordham University. The special issue of Conradiana (vol. 48 nos. 2-3) also features essays by Adriana Cavarero, James Clifford, and J. Hillis Miller.
(Download the essay here.)